I'm hoping to get some pool time in. Also:
- blueberry-picking and then lunch here
- the state fair (this weekend or next)
- art fair in Lakewood
- Peter Sellers and other funny people
- canoeing
- high season at the farmer's market
Photo from Square America.
I'm hoping to get some pool time in. Also:



Hiroshi Sugimoto's drive-in series from 1993. From top to bottom:
Hi Way 39 Drive-In, Orange
Rosecrans Drive-In, Paramount
Stadium Drive-in, Orange
Winnetika Drive-In, Paramount
Berry-picking basket of twined and plaited red cedar bark, with plaited strap and vintage glass beads.
Blueberries and raspberries are in season right now. I'll be spending my morning tomorrow picking some. I wish I had something so lovely to put them in.
I'm listening to this version of this song a lot these days.


I got to see Linda Adato's aquatinted etchings when I was in Michigan a couple of weeks ago. I particularly love the views of the back yards - all the roof shapes. Reminds me of my neighborhood.
Buckminster Fuller, Elaine de Kooning and Joseph Albers at work on the Supine Dome.
Buckminster Fuller and students hanging from his Autonomous Dwelling Facility with a Geodesic Structure, 1949.

Above: Programs for concert by pianist David Tudor, July 4, 1953. Program printed on cigarette wrapper by BMC Print Shop. Tommy Jackson, printer.
Below: Cover of photographic viewbook, ca. 1950. Cover has "BMC" laundry stamp design by Ruth Asawa.


Summer session brochures from Black Mountain College, 1941. From here.
When I choreograph a piece by tossing pennies—by chance, that is—I am finding my resources in that play, which is not the product of my will, but which is an energy and a law which I too obey. Some people seem to think that it is inhuman and mechanistic to toss pennies in creating a dance instead of chewing the nails or beating the head against a wall or thumbing through old notebooks for ideas. But the feeling I have when I compose in this way is that I am in touch with a natural resource far greater than my own personal inventiveness could ever be, much more universally human than the particular habits of my own practice, and organically rising out of common pools of motor impulses.
Merce Cunningham, The Impermanent Art.
Above, his space chart for Suite by Chance, 1952. Ballpoint pen and pencil on colored graph paper. MoMA.
Merce Cunningham, April 16, 1919 - July 26, 2009.
Photo taken at Black Mountain College 1953 by Frank Jones. Found in the North Carolina State Archives.
It's never as clear as it is in the movies. People don't know what they are doing most of the time, myself included. They don't know what they want or feel. It's only in the movies that they know what their problems are and have game plans for dealing with them. All my life I've fought against clarity – all those stupid definitive answers. Phooey on a formula life, on slick solutions. It's never easy. And I don't think people really want their lives to be easy. It's a United States sickness. In the end it only makes things more difficult.
John Cassavetes (via we are independently wealthy)
Joanna just posted the most smile-inducing clip I have seen in a long time. It's a perfect mid-afternoon pick me up.
One of my favorite songs of all time.
This version of Space Oddity is more surreal to me than this one because I first knew David Bowie as Ziggy Stardust. I can only imagine how startling it must have been for this relatively clean-cut guy to morph into a flame haired androgyne.
In related David Bowie news, I can't wait to get my hands on a copy of this.

To fall into the void as I fell: none of you know what that means. For you, to fall means to plunge perhaps from the twenty-sixth floor of a skyscraper, or from an airplane which breaks down in flight: to fall headlong, grope in the air a moment, and then the Earth is immediately there, and you get a big bump. But I'm talking about the time when there wasn't any Earth underneath or anything else solid, not even a celestial body in the distance capable of attracting you into its orbit. You simply fell, indefinitely, for an indefinite length of time. I went down into the void, to the most absolute bottom conceivable, and once there I saw that the extreme limit must have been much, much farther below, very remote, and I went on falling, to reach it. Since there were no reference points, I had no idea whether my fall was fast or slow. Now that I think about it, there weren't even any proofs that I was really falling: perhaps I had always remained immobile in the same place, or I was moving in an upward direction; since there was no above or below these were only nominal questions and so I might just as well go on thinking I was falling, as I was naturally led to think.
Italo Calvino, The Form of Space
Images: Ralph Crane's photos of a trampolinist in a space suit imitating the falling movements of a cat, to find out how astronauts can move in space, 1968. From the LIFE Archive.
I have a guest post up today at Design Crisis. It's all about Barbie dream houses and unreasonable expectations ... you can check it out here.
Meteorite necklace by Erica Weiner. The pendant is a fragment of the Campo del Cielo Meteorite, originally discovered in 1572 by Spanish explorers.
I love this painting. I would buy it in a second.
Meteor Shower by Sarah McEneaney, found at the ever wonderful Now Voyager.
Every night when the sun went down in the town where we lived
The empty streets were lit up by reflected light from a distant sun
Bouncing off a glowing ball of rock and we just laid on the roof
And watched the moon, the moon, the blue light of the moon
We didn't talk and silently we both felt powerful
And, like the moon, my chest was full because we both knew
We're just floating in space over molten rock
And we felt safe and we discovered that our skin is soft
There's nothing left except certain death
And that was comforting at night out under the moon
Aesa fools gold rocks and nuggets necklace. Not really moon rocks, but more likely to be collected by me on an expedition.
Julius Grimm's 1888 painting of the moon:
The painting shows the moon as it can never be seen in reality: fully lit across the entire surface at once. The painting’s highly textured surface faithfully represents the actual landscape of the moon, which Grimm determined with precision by examining the shadows cast during the various lunar phases. When lighted from the direction Grimm indicated with a painted arrow, the ridges of paint cast shadows that create the photorealistic effect of the painting.
Via but does it float.
July 20, 1969: Neil Armstrong and Buzz Aldrin became the first humans to walk on the Moon.
Photo of Buzz Aldrin from NASA. You can see restored footage of the moon walk here.
Sadly, modern astronauts do not dress this way.
Read a big book. Alternatively:
Today's the 40th anniversary of the Apollo 11 launch, the first manned mission to the moon.
Photo from NASA.
I'm enjoying some of the Wolverine state's myriad attractions today, and will be back tomorrow.
Happy Wednesday.
Vintage postcard from here.
Sean's sister lived for a while in Ypsilanti, and she and all her friends called it Ypsi (yipsy) which we found hilarious. I figured I would share this random funny anecdote with you in case this song leaves you a little melancholy - it usually does me, but still I love it.
Headed to Ann Arbor today to go to the Art Fair tomorrow. I can't wait - Ann Arbor is a great little town.
Charm available here.
David Fullerton's work for the Sisyphus Office Exhibition has been all over the internet, with good cause. It's pretty brilliant.
When I had a cubicle job, finding a colored paperclip could make my day. Those were sad times.


Daniel Everett, Conversations with a Computer.
Artist statement:
Contained within the operating system of Mac computers is a rudimentary electronic psychotherapist program. Meant to simulate a Rogerian therapist, it engages the participant in a cyclical conversation by taking his or her statements and roughly reconfiguring them into questions. I met with this program three times a week for a month in order to discuss my fear that I was disappearing completely. These are three stills from our conversations.
Via Beautiful/Decay.
Fun with post-it notes. Directed by Bang-yao Liu. Music by Röyksopp.



Some glimpses from inside the cherry processing plant (a.k.a. my kitchen). When you pick ridiculous amounts of ridiculously cheap sour cherries, you have to suffer the consequences. (I would have never made it without this nifty gadget.)
In addition to canning a double batch of preserves, making a few jars of clear sour cherry jelly and freezing a few pounds for winter pies, I concocted a couple of quarts of homemade maraschino cherries:
I predict these will be my new best tool to win friends and influence people.
In other news of round red things, my cherry tomatoes are so pretty and chromatic I am having a hard time picking them:
But I have to snap out of it. The mozzarella is sitting lonesome in the fridge, and it probably isn't healthy to live on sour cherry jelly, no matter how delicious it is ...

This was my dad's dream ride back in the day. We had VW buses and vans growing up, but never the actual campmobile with the pop-top.
Rare models from 1976-77. Only about 1,500 Blazer Chalets were made, and probably a comparable number of the GMC Casa Grande. They came outfitted with curtains, a dinette table, an icebox, a two-burner stove and slept four.
I'd like to find one and make tracks. I am a fan of the two-tone color scheme.
Images from here and here.
I had always thought of camps as ephemeral things, as fleeting event spaces. Certainly the summer camp season passes and images of disaster areas fade, but camp spaces endure. In fact, we are immersed in this camping world, both ideological and experiential. We camp with the kids in our backyards, we arrange ourselves into partisan camps, we watch as camps overflow with twenty million refugees, we fill arenas with disaster victims, we speculate about the location of terrorist camps, and we marvel at North America's burgeoning RV culture. Camp spaces have become our environment.
Charlie Hailey, Camps.
(I bought this book when I was in Chicago. It's pretty terrific, and beautiful to boot.)

Only without the bands. And the terrible mud. Photos from Glastonbury at The Big Picture.
It looks like magic.
I think I may need to move somewhere teepee friendly.
Cath Kidston teepee photographed by Marcus Nilsson for Country Living, August 2009.
I covet this.
This Saturday, on the spur of the moment, me, Sean, my sister Rachel and her boyfriend Viresh all decided to camp out in my parents' backyard.
Nora was in charge of overseeing the gear.
I felt a little sheepish looking at all we had loaded into the car for one night until Rachel and Viresh showed up in full backpacker regalia, strapped, packed, and loaded for bear. Clearly, the only thing my family loves better than camping is camping gear.
After we set up the tent village, we headed east to hear my dad play at a local winery.
The lake was busy with boats skittering around like waterbugs, and we stood a long while and watched them in the falling light. There's nothing like being near water to make you hungry, so after the gig was through, we wandered down the street in search of carbonated beverages and cheeseburgers. Fortunately, we happened to be near a pretty good joint.
Fully fed and watered, we enjoyed some fireworks ...
... before heading home to enjoy pyrotechnics of another variety.
After ghost stories, it was time to turn in.
When I woke up, the world was green and it smelled like breakfast.
My dad was frying up bacon in a cast-iron skillet over the fire, and my sister had gone into the kitchen to con my mom into making homemade waffles. Proof positive that camping in the backyard is pretty much unbeatable.
Next, it was time for camp activities. We picked sour cherries (30+ lbs!) at a nearby farm:
birdwatched:
and played in the creek.
We capped the day with a big family dinner, and it was time to break down camp.
We all want to go back next weekend.
Songs for backyard barbecues today.
With the Linda Rodgers Dancers.
I will be exercising the art of relaxation. Also, that of fireworks-watching. Happy weekend.
Hannah font by Travis Stearns found here.
The sweetest summer bag from yes, have some. I love this one, too (the fabric is tiny linked hands).
Andrew and Crystal have a knack for great projects.
I have a strange, sudden obsession with navy shoes.