even*cleveland: deer

Showing posts with label deer. Show all posts

Showing posts with label deer. Show all posts

winter signs

Endpapers from The Fireside Book of Folk Songs, edited by Margaret Bradford Boni and illustrated by Alice and Martin Provensen, 1947. Via stopping off place.

finger tips

Arctic animal finger puppets. I think they'd go well with these.

Found via wit + delight's svpply.

happened into my dimension

In the dawn's early light, in the the biggest snow of the year
Two blue-dark deer stood in the road, alerted.

They had happened into my dimension
The moment I was arriving just there.

They planted their 2 or 3 years of secret deerhood
Clear on my snowscreen vision of the abnormal

And hesitated in the all-way disintigration
And stared at me. And so for some lasting seconds

I could think the deer were waiting for me
To remember the password and sign

That the curtain had blown aside for a moment
And there where the trees were no longer trees, nor the road a road

The deer had come for me.

Then they ducked thru the hedge, and upright they rode their legs
Away downhill over snow-lonely field

Towards tree-dark - finally
Seeming to eddy and glide and fly away up

Into the boil of big flakes.
The snow took them and soon their nearby hoofprints as well.

Revising its dawn inspiration
Back to the ordinary.

Ted Hughes, 'Roe Deer'

deer

George Shiras III.

Hunting Deer with a Camera, Northern Michigan, ca. 1900. Vintage gelatin silver, printed ca. 1900.

White-Tail Buck in the Light from a Passing Canoe, Michigan, 1930. Vintage gelatin silver, printed 1930.

Leaping Deer, from the July 1906 issue of National Geographic - the first issue to feature wildlife photography.

1 + 2 via Steven Kasher Gallery, 3 via National Geographic.

Discovered via Cold Splinters.

the season

Back in Ohio, the men in my family are set up in camp and hunting deer. I'm wishing them luck.

Image via per temeritas.

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What sort of diary should I like mine to be? Something loose-knit and yet not slovenly, so elastic that it will embrace anything, solemn, slight or beautiful, that comes into my mind. I should like it to resemble some deep old desk or capacious hold-all, in which one flings a mass of odds and ends without looking them through. I should like to come back, after a year or two, and find that the collection had sorted itself and refined itself and coalesced, as such deposits so mysteriously do, into a mould, transparent enough to reflect the light of our life, and yet steady, tranquil compounds with the aloofness of a work of art. The main requisite, I think, on reading my old volumes, is not to play the part of a censor, but to write as the mood comes or of anything whatever; since I was curious to find how I went for things put in haphazard, and found the significance to lie where I never saw it at the time.

V. Woolf

Don't be amazed if you see my eyes always wandering. In fact, this is my way of reading, and it is only in this way that reading proves fruitful for me. If a book truly interests me, I cannot follow it for more than a few lines before my mind, having seized on a thought that the text suggests to it, or a feeling, or a question, or an image, goes off on a tangent and springs from thought to thought, from image to image, in an itinerary of reasonings and fantasies that I feel the need to pursue to the end, moving away from the book until I have lost sight of it. The stimulus of reading is indispensable to me, and of meaty reading, even if, of every book, I manage to read no more than a few pages. But those few pages already enclose for me whole universes, which I can never exhaust.

Italo Calvino

Why didn't she try collecting something? It didn't matter what. She would find it gave an interest to life, and there was no end to the little curiosities one could easily pick up.

Henry James

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