Showing posts with label protests. Show all posts
Showing posts with label protests. Show all posts

'the continued buzz of wings had a tendency to lull my senses to repose'










*

Frithjof Tidemand-Johannessen, "Birds in a landscape." Via le jardin robo.

*

Maynard F. Reece: Plate XI, "Forney Lake." An illustration from Waterfowl in Iowa by Jack W. Musgrove, 1940. Via le jardin robo.

*

Detail of a 22-page birchbark letter, ca. 1908, from Vermont, ca. 1908. Via Haec City.

*

From a conversation between leaves in Bambi: A Life in the Woods, by Felix Salten, 1923.

*

Communists and socialists demonstrating against the far right in Paris, February 12, 1934. Via The London Review of Books.

*

"Shonagon had a passion for lists: the list of 'elegant things,' 'distressing things,' or even of 'things not worth doing.' One day she got the idea of drawing up a list of 'things that quicken the heart.'"

*

In the autumn of 1813, I left my house at Henderson, on the banks of the Ohio, on my way to Louisville. In passing over the Barrens a few miles beyond Hardensburgh, I observed the Pigeons flying from north-east to south-west, in greater numbers than I thought I had ever seen them before, and feeling an inclination to count the flocks that might pass within the reach of my eye in one hour, I dismounted, seated myself on an eminence, and began to mark with my pencil, making a dot for every flock that passed. In a short time finding the task which I had undertaken impracticable, as the birds poured in in countless multitudes, I rose, and counting the dots then put down, found that 163 had been made in twenty-one minutes. I travelled on, and still met more the farther I proceeded. The air was literally filled with Pigeons; the light of noon-day was obscured as by an eclipse, the dung fell in spots, not unlike melting flakes of snow; and the continued buzz of wings had a tendency to lull my senses to repose.

Whilst waiting for dinner at YOUNG'S inn at the confluence of Salt river with the Ohio, I saw, at my leisure, immense legions still going by, with a front reaching far beyond the Ohio on the west, and the beech-wood forests directly on the east of me. Not a single bird alighted; for not a nut or acorn was that year to be seen in the neighbourhood. They consequently flew so high, that different trials to reach them with a capital rifle proved ineffectual; nor did the reports disturb them in the least. I cannot describe to you the extreme beauty of their aerial evolutions, when a Hawk chanced to press upon the rear of a flock. At once, like a torrent, and with a noise like thunder, they rushed into a compact mass, pressing upon each other towards the centre. In these almost solid masses, they darted forward in undulating and angular lines, descended and swept close over the earth with inconceivable velocity, mounted perpendicularly so as to resemble a vast column, and, when high, were seen wheeling and twisting within their continued lines, which then resembled the coils of a gigantic serpent.

John James Audubon, from "Plate 62: The Passenger Pigeon" in Birds of America

*
Every afternoon [the pigeons] came sweeping across the lawn, positively in clouds, and with a swiftness and softness of winged motion, more beautiful than anything of the kind I ever knew. Had I been a musician, such as Mendelssohn, I felt that I could have improvised a music quite peculiar, from the sound they made, which should have indicated all the beauty over which their wings bore them.

Margaret Fuller of Oregon, Illinois, writing in 1843. Quoted at the Friends of the Nachusa Grasslands blog.

*
BETWEEN the years 1872 and 1875 or 1876, eastern Iowa, for a distance of sixty or more miles west of the Mississippi River, witnessed many intermittent flights of the fast dwindling flocks of the Passenger Pigeon. At that time I was not familiar with the stories of the pigeon flights over Ohio and Kentucky territory east of the Mississippi, related by Wilson and Audubon, or, probably, I should have been impressed with the difference between flights occurring prior to 1845 and those between 1870 and 1880. It will be recalled that Wilson and Audubon described the pigeon flocks as being so vast in extent that they darkened the sky for several successive days. As I read their descriptions, the pigeons literally spread a dark blanket of roaring wings over the earth, interfering with the light from the sun to the extent that a twilight condition prevailed not only all day but for several days in succession.

The rapid destruction of the pigeons between the dates mentioned should, one would think, have warned thoughtful students of wild life of the complete destruction of this edible species at an early date, but if fears existed the publications of the period do not appear to have been utilized for the purpose of arousing public interest and concern therein. So to us in the 70's the flights of pigeons seemed tremendous and were wholly without a warning thought or suggestion that the hundreds of thousands, or possibly millions, we saw passing over were but the fast disappearing remnants of the billions that turned day into night much less than fifty years before.

Frank Bond, "The Later Flights of the Passenger Pigeon," The Auk, Vol. 38, no. 4, October 1921.

*
Then he would go out for a walk, wander through the countryside while reciting Sacred scripture to the crows in the fields, the dark murmurations of starlings against the clouds, and as he wandered through the orchards near the river he would think of the miracle of flowing water from the book of Ezekiel: And it shall come to pass, that every living thing that liveth, which moveth, whithersoever the rivers shall come, shall live: and there shall be very great multitude of fish, because these waters shall come thither; for they shall be healed; and every thing shall live whither the river cometh ... And by the river upon the bank thereof, on this side and on that side, shall grow all trees for meat, whose leaf shall not fade, neither shall the fruit thereof be consumed: it shall bring forth new fruit according to his months, because their waters they issued out of the sanctuary: and the fruit thereof shall be for meat, and the leaf thereof for medicine, a passage he had read so often in church, and he would pick a few familiar leaves to make a tisane, then, at length, having made a tour of the village, wondering how all things could so sweetly sing the praises of the Creator and yet also be the mark of His abandonment, he would head back to the presbytery, there to surrender to the gathering night, to dereliction and to hooch.


Mathias Énard, from The Annual Banquet of the Gravediggers' Guild, translated by Frank Wynne. 

*
To find a stronger word for love, a word that would be like the wind, but come from beneath the earth, a word that doesn't need mountains, but dwells in immense caves from whence it travels through the valleys and the plains like water that is not water, like fire that doesn't burn, but shines through and through, like a crystal, which doesn't cut and is instead transparent, pure form, a word like the voices of animals, as if they understand one another, a word like the dead, but all alive again.

Elias Canetti, from The Book Against Death, translated by Peter Filkins.

*

odds and ends / 2.27.2022






*

Photograph of "The Baltic Way," a human chain protest on August 23, 1989, against Soviet occupation of the Baltic states via Macguffin Magazine. About two million people from Estonia, Latvia, and Lithuania joined hands from Tallinn through Riga to Vilnius to create one of the "longest unbroken human chains in history."

*

Ursula Le Guin, "The Next War.

*

Once we knew that we were all staying, we started playing games and fortifying the house. We played hide-and-seek. As we ran around the house, we taught the kids how to fall while opening their mouths—that helps protect your lungs during an explosion. I told them that Russia had attacked us—I couldn’t hide that—but we did it in a way that wasn’t scary.

Lena Samoilenko, an activist and journalist in Kyiv, Ukraine, describing her family's preparations for war to Masha Gessen, The New Yorker, 2/25/2022.

*


*


*
I don’t understand who these people are: the ones I consider my friends, the ones I get together with every Thursday to play cards for small change while consuming a mountain of cookies and candy. What scares me most is stability. It’s quiet, but an unsteady kind of quiet, giving way, like a bog or a swamp. 

Yevgenia Belorusets, "The Stars." Translated by Eugene Ostashevsky.

*
Ambivalence at its best is good for lots of things—conveying the moral and epistemological complexity inherent to the human condition, say—but even at its worst it’s a great way of dodging criticism ... When the writer’s thoughts and feelings have been tastefully hedged, they become much harder to find fault with—particularly when the writer’s subject is the self, about which some iffiness is to be expected. Still it grates, the way so many of the highly intelligent, highly educated, highly observant essayists ... glance at the external world’s ills, shrug, and resume fingering the knot of first-personhood. 

Jackson Arn, "Dot Dot Dot Dot Dot Dot: Against the Contemporary American Essay," The Drift, January 31, 2022.

*
To simplify and evade excessive philosophizing, it is not necessary to speculate about destruction—moral, social, political, ideological, artistic, et cetera—it is happening quite vividly and aggressively before our eyes. Also, we see how history is repeating itself, how its monstrous face is surfacing. 


Dasa Drndic, interviewed by Dustin Illingworth for The Paris Review, 8/21/2017.

*
[T]o those tortured by uncertainty, any explanation, however simple, comes as a balm. Seen in this way, certainly, attachment theory offers the consolations of the heuristic. This is true of almost any Grand Theory of Everything that explains the unknowable—in this case, the interiority of the other—using a few rough-hewn concepts. Other examples that spring so immediately to mind that ignoring them requires active cognitive suppression include astrology, early modern witchcraft trials, structuralism, Myers-Briggs, and men at their dude’s night poker game complaining that their wives are “crazy.” The problem is that you get what you pay for, analytically. While it may be comforting to make sense of the world and others’ motivations by resorting to immutable identities to provide a causal deus ex machina for complexity, the danger is that this tends to spit out answers that only confirm your priors. This type of thinking feels good to exactly the same extent that it buffers you from the terrifying unknowability of reality.

Danielle Carr, "Don't Be So Attached to Attachment Theory." Gawker,  1/25/2022.

*
It is a peculiarity of Joan Didion’s work that her most ironic formulations are now read as sincere, and her sincerest provocations taken with a large pinch of salt. Perhaps when your subject is human delusion you end up drawing that quality out of others, even as you seek to define and illuminate it. How else to explain the odd ways we invert her meanings? We tell ourselves stories in order to live. A sentence meant as an indictment has transformed into personal credo.

Zadie Smith, "Joan Didion and the Opposite of Magical Thinking." The New Yorker, 12/24/2021. 

*
The pandemic briefly widened our aperture for reckoning with the pain and vulnerability of others, many of whom were suffering long before COVID-19 struck. Epidemiologists, meanwhile, encouraged us to take some responsibility for protecting them. But this created a problem. Such thinking chafes with American moral common sense. To maintain sanity in a country as bafflingly unequal as ours, you must convince yourself that your own comfort is causally (and morally) unrelated to the suffering of less fortunate strangers. The alternative is an acknowledgment of our interdependence that is, frankly, incompatible with our social order. In this sense, people who continue to insist on safeguarding the medically vulnerable are irrational, beset by a kind of madness.


Sam Adler-Bell, "The Pandemic Interpreter." New York Magazine, 2/24/2022. 

*
More than 60,000 people died of covid in January alone; as of this writing, the U.S. has recorded more than 2,000 daily covid deaths for each of the last 30 days. Daily covid deaths have been above 1,000 for over 180 days (roughly half of an entire year).

In this context, what could possibly justify the impending declaration of the end of the pandemic?

Artie Vierkant, Beatrice Alder-Bolton, and Death Panel, "'The Beyblade Strategy' or: How we Learned to Stop Worrying and Love Focused Protection." The New Inquiry, 2/22/2022.

*
Arguments for returning to normal—and, subsequently, letting the virus rip—hinge on the assumption that those who aren’t vaccinated have made informed, ideological decisions not to vaccinate. (In other words, the vaccinated can ethically expose them to the consequences of their actions by returning to normal life.) That assumption is not accurate. 'When they say highly vaccinated communities, what they really mean—and this is backed by data—is highly vaccinated white communities,' Ganapathi said. 'They are actually talking about highly privileged, very select communities.'


Melody Schriber, "Why Is This Group of Doctors So Intent On Unmasking Kids?" The New Republic, 2/22/2022. 

*

odds and ends / 3.23.2018













From top:


*

Bourke de Vries: Memory vessel/Southampton 6, 2013. 19th century English creamware ale jug and glass. 

Collaborating with ...  a manufacturer of custom laboratory glass, de Vries selected damaged pieces of ceramics and created glass vessels, using the original shape of the broken object. These ‘ghost’ vessels hold the fragments of the original pieces and create a conversation about the history, value, and beauty in something that could be perceived as worthless.

*

My dream outfit for early spring: Caron Callahan's quilted flower-print jacket + cropped check pants; Brother Vellies shearling loafers.

*

"our hotel is here..."

Postcard from Nancy Holt and Robert Smithson to Eva Hesse, July 10, 1967, via the Moon Lists.

*

Detail from a calendar page by Tézzo Suzuki (found thanks to Letterform Archive's Instagram).


Abigail and her partner in counter-fashion, Maura Brewer, have been wearing only jumpsuits for the past three years—to weddings, to job interviews, to teach their classes at art school, and to visit their families over Thanksgiving. Their closets are nearly empty: they each have three jumpsuits, a few jumpsuit-compatible sweaters, workout clothes, pajamas, and underthings—that’s it. They don’t have to buy new clothes or wonder how they’ll look in the culottes that have recently come into fashion. They never have to choose a new outfit because they’ve already picked the one they’ll wear forever.

Heather Radke, 'The Jumpsuit That Will Replace All Clothes Forever.' The Paris Review, 3/21/2018.

*


'The city of Melbourne assigned trees email addresses so citizens could report problems. Instead, people wrote thousands of love letters to their favorite trees.'

*

This kind of joy is superfluous and therefore absolutely necessary. It is the deep meaning of revelry and play, as the historian Johan Huizinga wrote in his masterpiece Homo Ludens. Culture itself “arises in the form of play.” “Play cannot be denied. You can deny, if you like, nearly all abstractions: justice, beauty, truth, goodness, mind, God. You can deny seriousness, but not play.”

Jay Griffiths, 'Skate Fever.' Lapham's Quarterly.

*

New rules: 'Get news. Not too quickly. Avoid social.'

*

Heather Abel's essay on writing and motherhood is so terribly, terribly good: 'When I see The Baby Book at bookstores, I want to snatch the copies off the shelves and dump them in the baby’s bathwater.' (YES.)

*


*


*


(If you, like me, get terribly anxious and emotional in crowds, but feel compelled to be one of the number, here's what I do: stay on the edges. Having a little room to breathe can make all the difference. Looking up helps, too. The sky is always there.)

SaveSave
SaveSaveSaveSave



Photo of NYC protest, ca. 1920s. Via all things amazing.