Showing posts with label world travel. Show all posts
Showing posts with label world travel. Show all posts

imaginary outfit: a rainy saturday walk in paris

 


I spent the last two weeks of March in Paris—one week with my mom and sister, one week with Sean and Hugh. On the Saturday that fell in the middle, my sister and mom woke up early to leave for the airport, and Sean and Hugh were scheduled to arrive sometime later that afternoon. So after I got the rental apartment in order, I dropped my bags at a luggage locker. Then, the morning was mine. 

I needed to cross the river to get where I was going: the Musée de Minéralogie, a 200-year-old wonder-cabinet of rocks, gems, and minerals tucked inside the École des Mines, and the Jardin des Grands Explorateurs. After a cold and sunny week, the rain was falling light and steady, but the air was warm. As I walked, I looked. I saw a woman in a boldly striped ankle-length grass-green and navy slicker chatting with a butcher in a shop aglow with pink neon. Nearby, a masted ship carved in stone was frozen in full sail above the door of a boy's school, a comic book shop promised stories for heros, and ancient saints with woebegone faces leaned on each other in the arch around the doors of a weathered church. Tucked in a little alley I looked into shop windows full of glass-tipped pens and prune-colored ink, rings heavy with old intaglios, and silvery Japanese papers. There was a poetry bookstore with simple wood shelves that I coveted (I went back later to get a closer look at those). 

I kept walking, headed toward the flower market. I saw a man riding a bike with two umbrellas open; one over his head, but the other angled over the handlebars, like some sort of mutant turtle. I passed the big old clock; blue, spattered with gold, with a face like the sun and two serene women presiding over the time, wielding sword and scale. I passed lines of people waiting in the rain, patiently waiting to see splendor, and walked on along the wide streets. I passed through a small park littered with the remnants of an old church; it's there you find the oldest tree in Paris. I wandered through a cold, clammy church, dark with stone pillars, then past big bookstores promising sales and high street shops with rainwashed fronts. I saw the backside of a medieval garden and walked through a market with bricks of nut-studded nougats stacked like cinder blocks. I saw a second clock, much smaller,  behind a fogged pane of glass set into an alcove in the thick, creamy walls of the Sorbonne; it was near a statue with a lipsticked mouth, garish against the stone. And eventually I found where I was going, after entering a glassed vestibule watched by a friendly guard and wandering austere school halls marked with noticeboards. I turned a corner and found myself facing a startlingly grand staircase surrounded by murals depicting ice caves and other geologically sublime places. I rang the bell and bought my ticket. I spent longer than I expected looking at the specimen samples, but also at the beautiful blond wood cases, with slanted glass tops, some protected by lids, that stretched on from room to room to room. Tall windows overlooking the Jardins du Luxembourg were thrown open and the rooms smelled of rocks, rain and wood; I caught glimpses of the Eiffel Tower behind a scrim of cloud. 

As I was leaving, I found a locked door—through its glass pane, I could just see a peek of the skylit library, closed that day.  I walked out through the gardens; by then, the sun had appeared, and the famous pale green chairs scattered throughout the grounds were filling up. The air smelled like hyacinths. I made it to the Jardin des Grands Explorateurs and ambled all the way to the massive bronze turtles sunning themselves in the dry fountain bed. Then it was time to meet my guys, so I turned back. But I made sure to visit the bees along the way; I first stumbled across them by accident more than twenty years ago and hoped that I would find them again this time. It felt good to know that they are still there. 

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Rachel Antonoff Marie the Baguettes Madison slicker / ventilated Calzuro clogs / Two New York sweatshirt / COS slouchy pants / Kathryn Bentley fish studs / Sapir Bachar gold eternity beads necklace / Manicurist nail polish in Hollyhock (I bought this in Paris and have been impressed by how well it holds up) / Nizū Kanū x Niwaki rucksack / The Common Toad and other Essays by George Orwell / Bresciani socks, colored like the iridescent oil slick on a puddle.

gifts for wild swimmers



























Endura's oversized insulated dryrobe, for quick changes in cold weather. (Voited's and Vivida's cozy insulated changing robes also caught my eye, as did Sand Cloud's terry poncho for warmer days.)

A Irish crofter's storm kettle, for brewing warming drinks.

Barbara Bosworth's Diana's Baths: a collection of photographs that "evoke the mythological ambiance of a woodland pool."

wooly Donegal hat, always useful.

Neoprene boots, to keep away the chill.

Extra-cozy and plush Pendleton x Snow Peak towels, for drying off. 

A lightweight chair with a square base designed to sit solidly on sandy and pebbly shores.

Charles Sprawson's absolutely mesmeric and singular cultural history of swimming (I love this book) or Waterlog, Roger Deakin's chronicle of swimming "the seas, rivers, lakes, ponds, pools, streams, lochs, moats, and quarries" of Britain.

jumbo nylon bag, for schlepping wet towels and gear.

A sink-or-float thermometer, for calculating how long to stay in.


A handy Geoffry Fisher brush, for knocking off dried-on detritus.

Delicious coffee toffee, as a reward for taking the plunge, if the endorphins are not enough.

A trip to Iceland to snorkle in the gap between two continents. 

musée du quai branly


Inside looking out (the windows in that portion of the building are covered with green film that mimics the foliage):



musée d'orsay

The view of Sacré Couer from behind the clock in the Musée d'Orsay.

I tend to roll my eyes a little bit at the French Impressionists - too many waterlilies and ballerinas endlessly reproduced on so many posters in so many waiting rooms, on innumerable PBS totebags and museum shop scarves. It's always a bit of a shock to see originals in person and remember they are actually pretty kickass.

Degas particularly is poorly served by reproductions, I think. This ballerina's skirt has about seven different shades of blue in it, like a living butterfly wing, and her tights are almost a shocking pink. It is ravishing.
I took about ten pictures trying to capture that blue and pink. Nothing doing.

The musuem's collections only span from 1848 to 1915, and it's mostly French art, but the absolute plenty of gorgeous things bends your brain a little. They have five (FIVE) of Monet's cathedrals - lined up on the wall, it's a bit like impressionism meets Warhol.

We thought these two looked like they could have stepped right off the street today. Both were painted around 1890.

After all that art, we had to refuel, so we stopped in the museum café for $6 coffees and Sean was especially taken with the waiters' aprons - they came equipped with a special pocket for ties:


the louvre

I could probably spend a month in Paris going to the Louvre every day (I'm a little sick like that).

Some of my favorite parts (besides the Winged Victory):

Crowds of art paparazzi (this is the crew around the Mona Lisa on a Monday at 11:30 in the morning):
Little peeks into storage rooms, with the extra treasures draped in plastic sheeting:
Pocket spheres for worldly travelers of the 1800s:
Very old Roman perfume flasks that reminded me of Toikka birds:
Fierce looking Danish children:
Rembrandt foreshadowing Francis Bacon:
Red-headed art lovers:

galerie de l'atelier brancusi

Photos from the Galerie de l'Atelier Brancusi, a reconstruction of Brancusi's Paris workshop. We stumbled across it after we left the Pompidou, and it ended up being one of my favorite places.
It was like looking at an alternate universe's organic forms, strange in their austere jumble.
The tools were the best part.

how we started our days

In Paris, our first stop every morning was at the nearest corner store for yogurt. Even the dinkiest little convenient shop had a staggering selection — some drinkable, some spoonable, most in small glass bottles, and all delicious. This particular one had wild blueberry preserves on the bottom.