Showing posts with label marcel proust. Show all posts
Showing posts with label marcel proust. Show all posts

odds and ends / 1.12.2023














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Hugo Simberg, The Wounded Angel, 1903.

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Léon Spilliaert, Winter round the lake, 1929.

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Sculpture by Tung Ming-Chin.

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Hans Christian Anderson's sun troll.

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'Time is incredibly flexible and we all experience it in different ways,' Ogden explains. ... In Iraq, for example, people she surveyed almost universally felt that time slowed. But half of U.K. respondents who experienced time distortion felt it moved faster than in what we've come to think of as 'the before times.' In Argentina, younger, physically active women felt time passed faster than older men. Ogden says it's hard to pinpoint the root cause of those differences, because there are so many different variables. Living in a war-torn area, or under strict lockdown policies, could help explain the differences in each country. 'When life changes, time changes,' Ogden says.

Yuki Noguchi, "How Did COVID Warp Our Sense of Time? It's a Matter of Perception." NPR's Morning Edition,  December 14, 2022.

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The imperative to always demonstrate the right stuff shaped the language that astronauts used to describe their experiences in space. As Patricia Santy, a longtime psychiatrist at NASA’s Johnson Space Center, in Houston, wrote in 1994, “Expression of emotions such as sadness or fear is considered a weakness.” If the sight of Earth marooned in darkness inspired such feelings in the heart of an astronaut, he was unlikely to admit it, lest he jeopardize his shot at another mission. ... Weibel, who conducts anonymous interviews of astronauts for her research, said that one told her he took one look out the window of the space shuttle and “became absolutely convinced we would kill ourselves off between 500 and 1,000 years from now.” He never said so publicly.

Marina Koren, "Seeing Earth From Space Will Change You; The Question is How.The Atlantic, December 10, 2022.

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Because of the tutoring, because it is a Teaching Monday after a Friday payday, because I am delirious after three solid hours of two different seminars of two dozen sulky first-years, I buy sneakers I unnecessarily tried on and coveted last week. Cycle of unnecessary shopping becoming rationalized into necessary purchase. I want a uniform. Everything I buy will be the last thing.

My mom texts me an article about uniform shopping, “what if you buy yourself a uniform, a capsule closet,” she suggests. But what if I have claustrophobia.

Adrienne Raphel, "Shopping Diary." The Paris Review, November 25, 2022.

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She was afraid of finding someone else’s thoughts left behind in her personality, like a strange scarf unearthed from the sofa cushions after a party. Books were the most acute threat to the sanctity of the bordered self.

Audrey Wollen, "The Writer Who Burned Her Own Books." The New Yorker, January 3, 2023. 

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Is there ever anything sham about it, I sometimes wondered reading Tenth of December, moving toward one of his deaths or near-deaths. A cheapness? There was a whiff of robin funerals, of that kid who wants to feel the feeling, something you don’t get with, say, Flannery O’Connor, who might actually have killed people. Then again, robin funerals are kind of the business: a little thing to put in a box, so that the rest of us can be glad to feel alive.

Patricia Lockwood, "Worm Interlude.London Review of Books, November 17, 2022. 

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"I suppose I’m trying to make a space where people can rest their attention in one place for a while."


odds and ends / 5.27.2022












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Henri Biva (1848-1929), Villeneuve-l'Étang embrumé. Oil on canvas.

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Félix Bracquemond, Margot la Critique, 1854. Per The Met:
Here Bracquemond rendered a veiled criticism of critics. The squawking magpie holds a plume and straddles a globe ... Bracquemond underscored his commentary with a reference to Ovid’s description of magpies in "Metamorphoses", citing in the lower margin: "Raucaque garrulitas studium que immane loquendi," which translates to "their hoarse garrulity, their boundless passion for talk."

Skull of a crowned athlete, ca. 300 BCE. Archaeological Museum of Agios Nikolaos, Crete. Per The Greek Reporter: "Inside the mouth, a silver coin was found as a token to Charon, who in Greek mythology was the ferryman of Hades who carried the souls of the newly deceased to the underworld."

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Poem by Florine Stettheimer, in the collection of the Beinecke Library.

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Nik Gelormino's prototype for a anti-extraction beehive for Cactus Store.

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As usual, what “we” could be presumed? Numbers spiked and dropped; outrage and numbness set in. Imaginations stopped trying or got massively creative. Many of us burst into demands for an economic and procedural reboot of safety, security, and community, which included defacing the image of the police as the ideal local military. Meanwhile, mental health crises that faced life as well as death expanded into a pandemic with their own structural bases, their own hotlines, their own everydayness, and their own appearance as intimate partner violence and as police actions, where qualified immunity protects them from the consequences of spraying out their own roiling emotions onto other vulnerable bodies. Like dust bouncing off a trampoline, active counter-dominant solidarity on multiple and conflicting fronts induced pervasive and desired atmospheres, with their uneven rhythms of efficacy. The inconvenience of other people became a pragmatic political topic: With whom can you imagine sharing the world’s sidewalk? What do you do with the figures of threat and dread that your own mind carries around?


Lauren Berlant, from the introduction to The Inconvenience of Other People.

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About the hermits’ lives, little is known. They appear rarely, and only then to those with the eyes of faith, yet their presence in these forests is undisputed. They might accept an offering of dried chickpeas or a handful of roasted barley left in a clearing, but mostly they subsist on leaves, bitter roots, and prayer. They wear shabby clothes, unkempt beards, dreadlocks. Only the holiest of them achieve a state of invisibility. When someone manages to see them and attempts to take their picture, it is said, their image will not appear in the photograph. A hermit might live in a particular forest for years, going about his hidden work of intercession, and then one day someone walks by a juniper tree and discovers a pile of his bones.


Fred Bahnsen, "The Church Forests of Ethiopia: A Mystical Geography." Emergence, 1/11/2020. 

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For her, fixity and separateness are deadening specters. The very act of naming arrests and asphyxiates true freedom: as she warns, “don’t identify yourself with your description of yourself.” Dualisms which others might see as contradictions or mutual exclusivities—self/other, individual/collective, moral/theological, earthly/cosmic, work/art—manifest for Howe as uncannily interpenetrative possibilities. She is one of the twentieth century’s great epistemologists, principally through her refusal of discursive tidiness and her magnification of such concerns through indeterminate lenses. Thomas Aquinas thought it a grave failure to confuse knowing and believing. Howe’s is a corpus entrenched in unknowingness.

Jamie Hood, "The Irreconcilable Fanny Howe." The Baffler, 5/16/2022.

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Reading about a young girl wandering through shipwrecks and dodging American soldiers in The Prowler, I thought of a professional wrestler adjusting their story to allow more truth into the performance. That sounds off, frankly, considering how restrained and briny [Kristjana] Gunnars’s writing is. But what feels similar is that alternation between calling attention to the scaffolding, and then leaping from it. The leap is always real, even if the wins and losses are imaginary.


Sasha Frere-Jones, "The Scent of Light." 4Columns, 5/20/2022. 

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"I found myself wondering if there’s a difference, anyway, between the things we read and the things we do. Reading is an experience, if an artificial one, constructed and simulated—but then so are many of the others we go out in life to achieve in vaguely artificial ways."

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Very early on in my “career,” an editor said to me, “You do something that we don’t really do here. I noticed that in your sentences, the word that comes next isn’t exactly the word you’d expect to come next.” And I remember thinking: of course it fucking isn’t. Otherwise why would I write it?

Tobi Haslett, interviewed by Jessica SwobodaThe Point, 5/17/2022.

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Let’s hope that—at least—we can be in touch through words. I 
remember many beautiful moments in your study, with leafless trees 
outside 
or spring trees.

Adam Zagajewski, writing to Jonathan E. Hirschfeld, quoted in "Without Irony," Hirschfeld's tribute to Zagajewski in PN Review 263, Volume 48, Number 3, January/February 2022.

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I watched the trees gradually recede, waving their despairing arms, seeming to say to me: ‘What you fail to learn from us today, you will never know. If you allow us to drop back into the hollow of this road from which we sought to raise ourselves up to you, a whole part of yourself which we were bringing to you will vanish for ever into thin air.’ And indeed if, in the course of time, I did discover the kind of pleasure and disquiet which I had just felt once again, and if one evening—too late, but then for all time—I fastened myself to it, of those trees themselves I was never to know what they had been trying to give me nor where else I had seen them. 

Marcel Proust, In Search of Lost Time, Volume 2: Within a Budding Grove, trans. by C. K. Scott Moncrieff and Terence Kilmartin.

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No guns for men.

gifts for the scattershot
























A random assortment of delightful things:

A book of letters written by guilty rock thieves.
A music box that plays Erik Satie’s ‘Je Te Veux.’
Classic German Baking by Luisa Weiss.

and

some wonderful organizations to support:
The Equal Justice Initiative (this profile of Bryan Stevenson is one of the most powerful things I read in 2016)
The International Rescue Committee (I asked my family for a gift to the IRC, because the images of two little boys, one on a beach and one in an ambulance, are with me every day.)